The Mongolian Pattern and Its Application in Ceramic Art

时间:2022-09-08 04:34:04

Abstract:In the Chinese traditional culture, the Mongolian pattern is the crystallization of the wisdom of Mongol minority. Especially in the Inner Mongolia region, at present,the Mongolian pattern of reference and application widely in the contemporary ceramic art creation. Works of different style, different evaluation to mixed. About the inheritance of traditional culture, the artistic creation of the national character of the show is not entirely from the artistic elements of the stack and the use of artistic techniques, more is the mastery of national prototype of digging and spirit.

Key words:Mongolian pattern;the contemporary ceramic art;the national characteristics

中图分类号:J05 文献标识码:A 文章编号:1005-5312(2013)30-0161-01

1. Introduction

The Mongolian pattern is an important part of traditional folk art.Especially,the local culture, art and so on many aspects of the development will be impacted about minority art.At present, the Mongolian pattern is referenced and used widely in the area of Inner Mongolia region ceramic art. For the inheritance and development of traditional culture,the artistic creation are supposed to be one of the best medium,at the same time,also an art creators of responsibilities.

2. Overview of the Mongolian pattern

The main feature of the Mongolian pattern contains about fantasy ,artistic exaggeration and true portrayal of the life and so on.With the development of daily arts and crafts and design art,people put all the shape of the design and all sorts of patterns are called design.The Mongolian pattern as a "resource”has been accepted. This confirmation is not only from the perspective of cultural industry development, but also related to the construction of humanistic spirit. As an important part of the Mongolian culture, the cultural resources characteristic and the value is becoming more and more attention by people, and constantly from many aspects.In the creation of contemporary ceramic art aims in the new era under the background of the development of national art,inheriting the national culture,carry forward the national spirit,make its coruscate gives new aesthetic quality.

3. In contemporary ceramic art ,reference of Mongolian pattern

Contemporary ceramic art was not referring to all modern and contemporary ceramic art, but to have clear in art pursue directivity and relative independence.Evaluation and analysis on whether a work with ethnic characteristics, first of all ,we must be has a clear cognition about the concept of each element.In contemporary ceramic art ,Mongolian pattern have been used,which makes the application with a strong sense of decoration.The activation and maintain the national art,on the basis of personality traits,to achieve greater national art in the cultural life in the sense of effective proliferation,and maintain its sustainable development.Of course,the combination of modern creation of traditional culture,to become more precious wealth to be valued.Works of art exhibited in national blood accumulation is can never be erased. This is really the true interpretation of art.

4. Regional culture's influence on the creator

Inner Mongolia is characteristic of the ethnic minority settlements.Artistic creation nationality and active relationship with the flow,the artist is must profound understanding of native culture connotation.It has about folk culture and custom.The original ecological art is not universal and distinct era, but clear national characteristics.That is worth us to explore and study.Work in expression novel real thoughts not far-fetched,the harmony of art should be characterized by the traditional culture of respect and awe.The expression of ceramic art creation is for the aesthetic tendency and value orientation of people. Creators in the creative process must be loyal to grasp the work fit and unity of the external form and internal spirit.Will not make the traditional culture into this huge wealth creators explore the thoughts of art expressing one's feelings.

5. Conclusion

In a word,the Mongolian pattern is nomadic people stay excellent culture heritage. However, any reference and imitation to creators from the heart, to think,and to consider seeking.Any acceptance should be the premise of tolerance.The generation of outstanding works of art needs to have the depth of the traditional culture, also want to have the breadth of creation are the essence of the national spirit injection.

References:

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[3]王峰.浅谈现代陶艺中的中国传统文化[J].科学之友(B版),2009年第10期.

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