Traditional architectural elements in the modern architectural design applicatio

时间:2022-08-05 06:25:25

Abstract. Analytical tradition builds the main body of a book decorating element subject matter and manifestation. Have summed up tradition architectural decoration element several kinds technique of expression in applying to modern architectural design. Take that reality builds as example together applying having studied the tradition architectural decoration element hits the target in modern architectural design, the tradition. Having commented that builds decorative pattern applying in modern architectural design.

Key words: Tradition builds a decorative pattern;Technique of expression ;Modern architectural design

At present the domestic set off a wave of to the traditional culture of learning, modern architectural design also is the huge impact, but in the use process, often with the original draw further apart, resulting in many architectural design is simple mechanical reproduction or copy the elements of traditional culture, the expression, " meaning " stay in the traditional architectural components such as the roof, brackets, diamond-shaped window simple apply mechanically, the lack of deep mining. This article aims to analyze the traditional architectural culture, elements of the theme and form of expression, find the content of expression, the use of innovative thinking, will be excellent traditional architectural culture, element is transported to modern architectural design, achieve the harmonious human settlements environment sustainable state.

The Connotation Of Traditional Architectural

Decorative Elements

Seeking a spiritual aspiration is the eternal theme of traditional architectural decoration, people through to beautify the building and space decorative elements, to make up the defects of structure space, architectural form visual effects directly to the enjoyment of beauty, not only solid and the main building structure, still in Extension Architectural life, thereby achieving " the harmony between man and nature" of the state.

Decorative architectural elements theme

Traditional architectural decorative elements through a member ( brackets, cornices, carving, painting, etc.) different themes form and decoration, the building decoration elements used by the subject matter mostly characters, birds, beasts, birds and flowers, fish etc. to express " map will be interested, go lucky " [1] connotation, how to reflect the auspicious auspicious, draw on the advantages and avoid disadvantages as the theme, them through some natural objects euphony, symbolic or folk stories and other forms to express their wishes. The theme is " homophonic mainly immediately Fenghou ", bat before painting made form " Fu in front of us "; and as the " deer " homophonic " Lu ", " Three Yang ( Yang) Tai ", " goldfish ( jade ) and "; with symbolic category consisting mainly of the main theme " mandarin duck " metaphor, conjugal love of husband and wife; " Songhe Changchun ", for the blessing, pine is lush, prolong life and symbol; as a symbol of joy magpie, peony represents wealth, Merlin bamboo is equitor noble etc..

To make a long story short, traditional architectural decoration used in these subjects, are after a long-term historical follow, familiar to the people. Around the lucky theme, folk artists can flexibly arrange the combination of themes, subject matter reflected the symbolic meaning do not need through research, for ordinary people to discern. Subject matter and human emotion between this very direct and clear communication form, it is also the most prominent feature of folk aesthetics.

Decorative architectural elements form

The building takes the form of many forms, embodied in painting, sculpture, paper cutting, the main expression is the people in the historical condition at that time to seek happiness, good luck, vision, on the living status and previous miss, on the future of the disturbed needs protection and pursuit, is reflected in the customs and traditional culture foundation.

Whether it is painting or carving techniques are the five eight doors, and also has a long history of history. In the pre-Qin period technique is very rich, such as the Taotie, which can most represent the theme; Qin Han period, the dragon, moire, mosaic is particularly outstanding; the northern and Southern Dynasties, due to the influence of Buddhism, appeared such as grass, lotus, Baozhu new pattern of way, to later Tang and Song Dynasty, and Western culture collision, expressional form is more unique and is the typical representation; Qing Liang Fang, Dougong and indoor ceiling, caissons and the stigma is the most attention.

These delicious colors and exquisite designs, painted to building components, with a painting technique to achieve decorative purposes, composition and component shape closely, drawing the delicate, rich colors, gives a pleasant feeling of appreciation. The Ming and Qing Dynasties in Suzhou building is the most representative, landscape and residential courtyard painted and carved animal and plant motifs, be lively and vivid characters, stories, such as landscape, is the embodiment of the period of highest level.

Architectural sculpture is a simple image, the use of specific connotation, undertake the construction of material and spiritual demand function, wood carving, stone and brick " three birds " comprehensive use, will be decorative architectural elements carved nature state of the art, to comply with the increasing requirements of the aesthetic.

The Traditional Architectural Elements In The Modern Architectural Design Performance Method

Traditional architectural decorative elements mainly through scattering, deformation, reconstruction method, through the analysis, extraction technique, in the present technology and reassembled and variant design elements. Designers use the construction methods of the building decorative elements into modern buildings, in the use of the approach to the translation of decorative architectural elements, shown in the form and enrich.

The application of. element

Traditional architectural elements is not only in the abstract some graceful composition, concise, certain cultural pattern and direct use, not after the second innovation, they can not accord with the modern aesthetics, such as dragon, geometric patterns and decorations are directly used, without deep processing and innovation, in the the design will lose the modern and traditional harmonious charm. Draw lessons from traditional adornment technique applied to modern architectural design, in order to achieve architectural elements of innovation, but also is having an antique flavour flavor, such as cornices brackets, red pillars carved tiles, etc..

Shenzhen Vanke garden fifth is certainly a very good work, it not only has some of the characteristics of the Jiangnan region of rivers and lakes, but also meet the needs of modern people living environment. External form, it adopts the traditional water village, hospital, high characteristics, cites traditional architectural elements in the building decoration, such as windows, cornices and other. ( see Figure 1 )

( Shenzhen Vanke garden fifth )

Element Abstract variation

" Architect Wu Liangyong proposed ' abstraction ' point of view, is to extract the traditional architectural decorative elements in the feature abstraction, after conversion, its application to the design of modern architecture in. " The [10] element Abstract variation is the graphics through the geometric analysis changes processing, through the summary of shape characteristics on body geometric analysis, through a simplified, exaggerated technique to design elements geometric processing.

Simplification is preserved in its connotation, the modeling is based on, remove the unnecessary details, so that the image of the subject is highly simplified and condensed, but without losing the original elements generally features and aesthetic analysis method. Exaggeration is disposed on the elements in a meaningful pattern given prominent, exaggerated and emphasis, change its proportions and structure, in order to strengthen the theme, so that the original image features more distinct, vivid.

Soft roof curve, hung large brackets, stout body and other traditional features and modern architectural design combination, this variant of the means of the pane, extraction of traditional Dougong and other decorative architectural elements of a meaningful elements variation, in the wall a design with nine Gong Ge for the background box window, and make them well-proportioned, in the architectural style is seen in the attic shadow, so that now the construction design embodied in the antique traditional architectural decorative elements, to lose the modern sense.

Element decomposition and recombination

Decomposition and recombination of the architectural decorative elements to be split shift, in accordance with certain rules to combination and innovation. Decomposition is generally divided into rules of decomposition and free decomposition of two kinds of methods, rules decomposition is building decoration element according to a transverse, longitudinal, oblique, fan-shaped, mesh form, regular to decompose decomposition; freedom is the traditional architectural elements according to design needs, the free arbitrary decomposition. Reorganization of the traditional architectural decorative elements method is the element change of direction, size changes, overlap, the repeated combination, add or simplification. Decomposition and recombination to create the model is derived from traditional architectural elements and modern design elements, with modern design aesthetic concept of architectural decorative elements of reconstruction.

World Expo China Pavilion design has many unexpected changes in processing, the traditional architectural elements were groundbreaking modern translation. Boldly on the brackets shape variation, straight, simple mouldings, naturally picked modeling shows the modern engineering technology strength beauty and beauty of structure. ( see Figure 2 )

( Shanghai World Expo China Pavilion designers: He Jingtang )

The " crown of the East " concept theme, showing the spirit of Chinese culture and temperament, will unite the traditional architectural decorative elements, symbolic dougong style, use of modern design means, through decomposition of the reorganization into a large modern brackets, four huge columns, hold up the bucket shaped main building like a an ancient crown cap, again as a food bucket art form.

The Traditional Architectural Elements In The Modern Architectural Design Application

" The traditional architectural decorative elements as a kind of traditional culture of the essence of art, permeates the strong atmosphere of national culture, in the process of the formation of condensation of people in the productive labor and wisdom, expressed the people 's yearning for a better life ". [4] designers to traditional architectural decorative elements through abstraction, refinement, innovation, in the preservation of the building and its cultural characteristics, and does not lose its inherent to the traditional cultural charm, and let the building into a modern vitality. This technique is the modern designers use a more extensive building works, in the image can be directly applied to traditional architectural decorative elements, such as the Xiamen airport modeling source in Chinese traditional building roof elements. Another example is the Suzhou museum to meet the modern functions of the demand at the same time, but also to meet people on the cultural spirit of the pursuit of. On the main body of the building with modern steel structure, inlaid wood frame white ceiling, Saiki faced metal light shading strip replaced the traditional building carved wooden window, regulation of soft light, color light collusion. Exhibition hall use squares, in the space of intermediate link, let the banner painting light and wall be just perfect; exhibition frame, the Chinese ancient building design drawing to the ceiling and wooden edge reminiscent of the human and the natural harmony, gallery window a window shade garden, plug king, make the view, produced partly hidden and partly visible effect. ( see Figure 03 )

( Fig 3 Suzhou Museum designers: Ieoh Ming Pei )

Traditional architectural decorative elements extraction, combination, conversion, regeneration of the innovation process, is the architect to grasp the essence of the traditional architectural decorative elements control ability, the traditional architectural element of the image can be a proper and accurate expression of modern thoughts and feelings, in the modern social demands of new era, traditional architectural element breath breathing to a foreign culture, swallow anything and everything, digestion and absorption, to create a new design concept, not adhere to their own unique traditional characteristic, make the traditional architectural decorative elements and modern architectural design complement each other.

Conclusion

Traditional architectural decorative elements carrying the historical culture and ethnic customs, civilization is the wizard, will have become a symbol in the memory of the people -- the traditional architectural decorative elements, make its connotation through different approach to the performance and for the modern architectural design, in order to achieve the traditional architectural elements and modern architectural design complement each other. This will also be we sincerely reveals the path of traditional culture, inherit and carry forward the traditional culture. Through deep understanding of architectural decorative elements, on the development and innovation of exploration process, with modern techniques and technology support, exploration gives to accord with the traditional architectural decorative elements and modern architecture design combining the design train of thought.

References

[1] Zheng Jun decorative arts in China [M]. Beijing: Higher Education Press, 2001.1

[2] Liang Sicheng talks about building [M]. Beijing: Contemporary World Press. 2006.9

[3] Cui Shichang. The modern architecture and national culture [M]. Tianjin: Tianjin University press. 2006.9

[4] Hao Xiaohu traditional patterns in modern design [J]. Anhui: Journal of Anqing Teachers College. 2OO4,

[5] Peng Yigang of traditional architectural culture and modern architecture innovation [M]. Beijing: China Building Industry Press, 2002

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